Sweet Sugar Pie

I'm chomping on a piece lusciously moist & decidedly decadent red velvet cake, slathered with a thick cream cheese frosting. I declined this piece at first but after the cake's journey via Fed Ex & pedigreed lineage was explained to me, I had to see what all the hub bub was about. Apparently the chunk I am working on is worth about $25, and that's more money than I have in my wallet currently...

Go figger...

Speaking of shweet...

I'm on my way out the door to catch Sugar Pie DeSanto at Yoshi's on Fillmore in san Francisco. I'll be the guy with the front row table on the right hand side of the stage hootin & hollerin'...

For those unfamiliar with Sugar Pie, she's Etta James cousin and a recording artist since 1955 when she got her start on Federal Records courtesy Mr. Johnny Otis.

Back in the day she recorded tracks with her cousin Etta and Willie Dixon that were hits on the Chess & Checker labels, and she's still going strong today with her latest CD "Refined Sugar" also on iTunes).

Sample some tracks, and download em if ya like via this widget here



I caught her last year at the San Francisco Blues Festival where she stole the set she shared with Jimmy McCracklin'. I was impressed with this aged diminutive ladie's feisty persona, and her sense of fun and frivolity.

Not bad for an old gal that's stage show with backflips was permanently curbed via lost hip movement when she was knocked over by a careless scooter operator in 2004, ( not too mention burned out of her North Oakland apartment two years later and had been left homeless...)

She's a fighter, a survivor, and a truly fun performer to be around...

Born to an African American momma with a Filipino father, she was a bi-racial celebrity long before Tiger Woods, Lenny Karvitz, Alicia Keys, Nicole Richie or Barack Obama made such circumstances fashionable.

Here's some music from her long & winding career which included early stints on R&B labels like Jody, Rhythm, Aladdin, and Music City...

Her first taste of solo success occurred in 1959 when the Veltone label released I Want To Know.

This track established her as a name in the biz, and soon she was signed to Chess in Chicago alongside younger cousin Etta. Sugar Pie wowed them on stage, being regularly compared to dynamite, but she also knew how to control herself. Despite her sexy charms, and a two year stint on the road with James Brown, who recounted in his autobiography, that she was the only female in his revue with whom he never slept.


Sugar Pie could have been a bigger star, but for whatever reason, The Chess Bros. played the protective mogul role and held her potential at bay for seven years, keeping her busy as a writer and background vocalist, only releasing one rare 1961 album by the lady.


She cut 30 sides for Chess records, most of which were shelved and never hit the streets. Occasional Sugar Pie tracks did surface, but mostly her career was a footnote in at a label with plenty bigger fish to fry like Etta James, Chuck Berry, Muddy Waters etc. While sugar Pie got a $10,000 advance from the stingy Chicago honchos that ran the label when she signed on, they stiffed her on royalties for decades, even though she wrote many songs for other artists including Fontella Bass, Etta James, Little Milton and Minnie Ripperton.

Here's a Checker single

Sugar Pie DeSanto - Soulful Dress

And a sample piece of an old track she did with Etta James for Chess

Etta James & Sugar Pie DeSanto - Do I Make Myself Clear

Sugar Pie went along on the 1964 Folk-Blues Fest tour of Europe, but as the only female artist, and basically an opening act... She also let the other musicians on that run she wasn't part of the backstage buffet, telling the SF Bay Guardian in 2004

"I refused all them old goats,"

Here she is from that run backed by Willie Dixon and band on her answer song to Hi Heel Sneakers known as Slip In Mules.

Sugar Pie DeSanto w/ Willie Dixon - Slip In Mules
from: American Folk Blues Festival '64

In 1966, she got together with cousin Etta for her biggest hit splash, this being a remix edit by DJ Theo Parrish of "Down In The Basement"

Etta & Sugar Pie - Down In The Basement

Here's one she recorded after leaving Chess for Brunswick in 1967

Sugar Pie DeSanto - The Whoopee

By the early seventies she'd settled back into the San Francisco Bay Area for good, and over the next 35 some years has made some sporadic funky & bluesy tracks for her manager's Jasman Records... Here's one such cut from 1972 that was resurrected and licensed by the always fine & dandy crate digging Ubiquity label not long ago for their Bay Area Funk, Vol. 2 collection...

Sugar Pie DeSanto - Straighten It Out With Yo Man

See ya laters y'all...


psst...

check out more Sugar Pie DeSanto via iTunes

Willie Dixon : Till The Day I Die !

On this date in 1992, while America's teens came to grips with grunge, and the NY Giants celebrated their recent Super Bowl victory over the Buffalo Bills, in Burbank California, at St. Joseph’s Medical Center, a one legged, diabetic old black man passed away.

Very few people working in the hospital probably realized that the man, whose musical influence was still felt daily on rock radio, was one of the most important blues musicians, if not musician of any genre in the post World War II era.

Born one of 14 children in 1915 in poverty outside of rural Vicksburg, Mississippi, his life was a story of fights & skirmishes. A man who'd once been Joe Louis' sparring partner, and a 1937 Golden Gloves Boxing Champion. He also fought against the US Army and served a year in jail in 1941 for his conscientious objection to the draft in WWII. He was escorted by Military Police off the stage of Chicago's Pink Poodle Club.

But he prevailed after his release, parlayed his talents into some gigs, record deals, and eventually became a man who'd written and recorded so many songs, they numbered well over 500. By the time of his death, his publishing catalog rights alone were worth well over an estimated 10 million dollars.

That man was Willie Dixon...



He may have seemed a background figure during his peak productivity period of the 1950s & early 60's, merely backing up other performers, but Willie Dixon had a plan. He was always working, playing bass, writing and producing sessions, and through it all, he is considered the driving force in what's known as the "Chicago Blues sound", particularly that on Chess Records, and later for Cobra. Artists who relied on his skills for their successes include Muddy Waters, Magic Sam, Chuck Berry, Howling Wolf, Memphis Slim, Otis Rush, Little Walter, Buddy Guy and many others. While the Chess brothers may have owned the studio at 2120 S. Michigan ave in Chicago, one must wonder how thriving of an enterprise would it have been without Willie Dixon's creative genius?

His bass playing laid the foundations of so many blues & rock songs it's impossible to calculate the depths of his influence and his role as an architect of the blues & rock idioms. So many of his songs went on to become hits for other artists, including a slew of white arena rockers who used his compositions as a solid sound & foundation to further their careers.

In the 1970's, Dixon continued to tour & record, and aside from some occasional work with Chess & Columbia, mostly as a solo act for smaller labels like Yambo and Ovation. He also won the first of several legal fights in 1977 to see the return of copywrites, and publishing monies from his Chess years. In the 1980's he established the Blues Heaven scholarship foundation from his increased royalty funds. His final album "Hidden Charms" was released in 1988 on the indie Bug label, distributed by Capitol. He also released his autobiography, "I Am the Blues" at around that same time in 1989.

In his autobiography, Dixon recounts his saga of becoming one of the first professional blues song-writers to benefit from his craft materially. But he had to fight to do it.

His legacy is an important symbol of the injustices that early writers and recording artists were put through.


Seven years prior to his death, in 1985 he'd won acrimonious litigation & damages, and the right to writing credits, in a dispute that a certain British rock group named Led Zeppelin had stolen his musical ideas for a song they called "Whole Lotta Love" and appropriated them as their own.

Willie Dixon's victory over Zeppelin was just one in a war, and the legal battles did not even end with his death. After he passed, a former manager kept sniping claims at his estate, attempting to secure as much as 33% of Dixon's publishing royalties that he claimed he was due. Finally after many years of contentious court cases, the decision finally rested with Dixon's widow in 1995.

Willie Dixon, a child of the segregated south, eventually had a street named after him in Vicksburg MS, but it was posthumous, much like his election into the Rock n Roll Hall Of Fame Hall of Fame.

That doesn't mean he isn't slandered to this day, those who say he was a shrewd bully in the studio who'd steal the collaborative songwriting credits just for himself. Detractors include David Johansen of the NY Dolls who tells a story In the film New York Dolls - All Dolled Up, how Dixon used to offer meals to hungry songwriters newly in Chicago from the Delta in exchange for the rights to their songs. Johansen claims "Hoochie Coochie Man" was one such song and called Dixon "The Vampire of the Blues."


WC Handy was apparently guilty of the same thing, and at least Willie Dixon ddn't build up his reputation by simply sampling his way to the top like so many in the current crop of creeps on the charts...

He's a truly remarkable character... and dead too...

So let's not speak ill alrighty...

Vampire or not... he should be recalled long after "Vampire Weekend" fades from yer cranium...


We think about ye sir, and we salute ya Willie...up there in Blues Heaven.

When in Chicago, be sure to visit the Blues Heaven HQ at 2120 S. Michigan Ave, site of the Chess studios where Willie did some of his most famous studio work...and due to Willie's persistence, it is officially recognized as a protected Chicago Landmark.


Here's a tiny sample of music associated with Willie Dixon:

Before Willie Dixon had his Chess era, he was a member of the Big Three Trio, which formed in 1946.

The groups first big break was backing Rosetta Howard on a recording of her #8 charting hit Ebony Rhapsody in 1948. Even though the recording of this 78 is over 60 years old, you can hear Dixon's thumping bass fairly clearly.

Rosetta Howard - Ebony Rhapsody

Here's a recording the Big 3 Trio did for the Delta Label out of Nashville in the early 50's.

Big Three Trio featuring Willie Dixon - Till The Day I Die

The Big Three Trio
"Till The Day I Die" (mp3)
from "The Best Of Delta Records"
(SnailWorx)

Buy at iTunes Music Store
Buy at eMusic
Stream from Rhapsody
Buy at Amazon
More On This Album



Here's a cut from a 1964 Folk Blues tour of Europe where Willie was in the band backing up various Chess blues stars, like Etta James cousin...

Sugar Pie DeSanto + Willie Dixon - Slip In Mules

This next & final track is actually a soundtrack excerpt from an out of print video I've posted below from a 1981 Willie Dixon show. In it, you'll hear some brief interview comments on the Blues by Mr. Dixon, and the song 29 Ways, plus an excerpt of I Think I Have The Blues with an elongated spoken intro from Willie.

Willie Dixon - 29 Ways + I Think I Have The Blues

and the video version for y'all



For more videos of Willie in action, check out this collection:

Historic performances by the aristocracy of American blues, unseen for forty years and never before released, comprise the latest addition to Folk Blues DVDThe American Folk-Blues Festival DVD series. The British Tours 1963-1966.

In this archival footage Willie is seen as part of an all star band backing folks like Muddy Waters, Junior Wells, Sugar Pie DeSanto, Lonnie Johnson, Big Joe Williams, Howlin’ Wolf, Big Joe Turner. Playing alongside Willie are guys like Matt "Guitar" Murphy, Hubert Sumlin, Sunnyland Slim, Clifton James, Bill Stepney, Otis Rush, Little Brother Montgomery, Jack Myers, Fred Below, Cousin Joe Pleasant.


Here's an 18 track audio collection worth checking out featuring Willie Dixon in conjunction with many of his collaborators...




Good Stuff!!

and have a good day...